Trotter Trio – Sketchin on Star Wars Jazz

star wars jazz at amazon

Interpretations of John Williams’ Star Wars music is a veritable cottage industry. A portion of it is sure to turn up at any concert performance featuring “movie music” as well as concert recordings featuring the same. Then, there’s Meco’s disco versions, The Evil Genius Orchestra’s excellent cocktail versions as well as countless techno/dance/club versions.

So it should come as no surprise that there is at least one jazz variation. The Trotter Trio lays out nine tracks from the original trilogy plus one “inspired by” song that incorporates quotes of the “Force Theme.” The styles range from uptempo swing jazz to mellow cool jazz. There’s even a hint of “smooth” jazz mixed in too but I won’t hold that against it.

Listening to this record, I can’t help but imagine Star Wars set, not as an epic space opera, but as a mirky black-and-white film noir, particularly when hearing Han Solo and the Princess:

[audio:061204StarWarsJazz.mp3]

starwarsjazz.png

A Big Fat Drunk Disgruntled Yuletide Rambo

yuletide rambo

Tis the season and all. Yep, Xmas is around the corner and its related tunes can be heard, sometimes whispering sometimes shouting, from computers and stereos and iPods and speakers in the ceiling at the mall. Old chestnuts, classical interpretations and indie versions all will make their appearances during the next couple weeks, probably to the point of nausea.

They are songs that celebrate the season, reminding us of the wonder and good times of family togetherness or heralding the birth of a certain religious deity. Still others focus on the practices of gift-giving and gift-receiving while encouraging little ones to behave in order to partake in said gifts. Then there’s the jolly fat man in red suit and funny hat; he’s the stern but gentle patriarch who does everything right, is generous with material things and never wants anything in return except maybe some cookies.

But all that unrequited altruism would take its toll on even the most selfless person… or so this one particular Xmas song surmises.

The Night Santa Went Crazy from Weird Al’s 1996 Bad Hair Day tells the narrative, in borderline morbidly graphic detail, of a certain evening in Santa’s Workshop, when the big guy finally loses his cool, going on a rampage from which Xmas will never recover.

This song is perhaps the pinnacle of Weird Al’s songwriting. It is musically exceptional, with astute holiday underpinnings and some of Al’s most remarkably clever lyrics to date. He manages to incorporate and reference the unique culture of the North Pole, successfully transposing it into a scenario that’s half Die Hard, half Headline News.

So I present what is perhaps the best song to queue up when you’re about to overdose on holiday cheer and the thought of good will toward men makes you want to slug someone.

The Night Santa Went Crazy:

[audio:061130SantaCrazy.mp3]

"Weird Al" Yankovic - Bad Hair Day - The Night Santa Went Crazy

Here are the lyrics if you want to sing along:

Down in the workshop all the elves were makin’ toys
For the good Gentile girls and the good Gentile boys
When the boss busted in, nearly scared ’em half to death
Had a rifle in his hands and cheap whiskey on his breath
From his beard to his boots he was covered with ammo
Like a big fat drunk disgruntled Yuletide Rambo
And he smiled as he said with a twinkle in his eye,
“Merry Christmas to all… now you’re all gonna die!”

The night Santa went crazy
The night St. Nick went insane
Realized he’d been gettin’ a raw deal
Something finally must have snapped in his brain

Well, the workshop is gone now he decided to bomb it
Everywhere you’ll find pieces of Cupid and Comet
And he tied up his helpers and he held the elves hostage
And he ground up poor Rudolph into reindeer sausage
He got Dancer and Prancer with an old German Luger
And he slashed up Dasher just like Freddie Krueger
And he picked up a flamethrower and he barbequed Blitzen
And he took a big bite and said, “It tastes just like chicken!”

The night Santa went crazy
The night Kris Kringle went nuts
Now you can hardly walk around the North Pole
Without steppin’ in reindeer guts

There’s the National Guard and the F.B.I.
There’s a van from the Eyewitness News and helicopters circlin’ ’round in the sky
And the bullets are flyin’, the body count’s risin’ and everyone’s dyin’ to know, oh Santa, why?
My my my my my my
You used to be such a jolly guy

Yes, Virginia, now Santa’s doing time
In a federal prison for his infamous crime
Hey, little friend, now don’t you cry no more tears
He’ll be out with good behavior in 700 more years
But now Vixen’s in therapy and Donner’s still nervous
And the elves all got jobs working for the postal service
And they say Mrs. Claus, she’s on the phone every night
With her lawyer negotiating the movie rights

They’re talkin’ ’bout – the night Santa went crazy
The night St. Nicholas flipped
Broke his back for some milk and cookies
Sounds to me like he was tired of gettin’ gypped

Wo, the night Santa went crazy
The night St. Nick went insane
Realized he’d been gettin’ a raw deal
Something finally must have snapped in his brain
Wo, something finally must have snapped in his brain
Tell ya, something finally must have snapped… in his brain

The Chemical Brothers and Dragon Warrior

A bit of a retroactive Separated at Birth for you today. It’s something I noticed back in April, before I had the ability to easily embed audio files. Indeed, it pre-dates this wordpress site.

This musical similarity concerns the melody of The Chemical Brothers’ My Elastic Eye from their 2002 album Come With Us and the Castle Theme from the NES classic Dragon Warrior/Dragon Quest (1986) by composer Koichi Sugiyama.

First, the game music (straight from the ROM): [audio:separated/061127DragonWarrior.mp3]

Now, the Brothers: [audio:separated/061127MyElasticEye.mp3]

Sure, the tempo is faster and the arrangement is different, but what say you: happenstance, inspiration or appropriation?

Soul Coughing: They Put Coffee in the Coffee in Brazil

Back in 1998-1999, when the mp3 file trading scene really was like the wild wild west, no one really had much idea how to treat the phenomenon. Sure, labels and artists weren’t keen on infinitely duplicatable copies of their music being sent around, but there was also a free wheeling sense to see what would become of the phenomenon, even among established acts.

Take Soul Coughing. For several months during that time, the band was in the habit of putting mp3s on the now-defunct 5% Nation site soulcoughing.com. It was great; free downloads of rarities, remixes and live tracks. That party didn’t last too long though. Financial concerns got in the way, as the band wondered how this free distribution would affect any potential future albums.

Here’s the Wayback Machine’s archive of the takedown notice.

In a way, the move was prescient of the concerns of the digital distribution of music era. It is similar to the way that The Grateful Dead supplied archive.org with soundboard recordings of their live shows, only to remove them when iTunes Music Store model showed that there was money to be made.

So the files went away and were replaced by time-limited Liquid Audio files remember those?, but not before a humorous cover of The Coffee Song made it into the wild. Written by Bob Hilliard and Richard Miles and made famous be Frankie “Blue Eye” Sinatra, the song is an ode to a certain Brazilian cash crop.

[audio:061126CoffeeSong.mp3]

Separated at Birth: Futurama and Gli Angeli Del 2000

Songs that sound too similar to be coincidence.

This one is quite surprising because I never ever would have guessed the source. A couple years ago, while sifting through the Italian Cinema dump, I stumbled upon a track by composer Mario Molino that sounded just a wee bit familiar, like a demented, psychedelic version of a song I knew all too well.

It was the title track to a 1969 Italian film called Gli Angeli Del 2000 plot summary not available and it boggled my mind. Listen to it for yourself and tell me that it’s not uncanny. Go on, I’ll wait….

[audio:separated/061125gliangelidel2000.mp3]

All done? Good. Those of you who are acquainted with a device commonly known as a television (or “T.V.”) will most likely recognize some major elements to the theme song from Matt Groening’s Futurama program in that. Those of you who aren’t able to recall that theme, here’s a reminder. It’s an extended version by show composer Christopher Tyng himself.

[audio:separated/061125futurama.mp3]

Remarkably similar, no?

At the time I first noticed the similarity, a discussion board (or other similar web page) told me that Gli Angeli Del 2000 was a direct and deliberate inspiration for the Futurama theme. I can’t locate that source now, but I’m going to take my memory at its word. That’s good, because no matter how much I like the theme which is a lot, that source is the only thing that’s stopping me from claiming rip off.

::

Update and correction 7/19/07: In the comments below, moogaloo, corrects my above assertions. The Futurama Theme song was derived from a Pierre Henry’s Psyche Rock (1967), not the above Molino track.

I had completely forgotten about Psyche Rock, and thus confused it for Gli Angeli Del 2000, which appears to be the true rip off in this case. But now that I’ve been reminded, I recall from the commentary on one of the Futurama DVDs that the producers wanted to actually use Psyche Rock as the theme, but couldn’t get the rights. So the producers decided to “pay homage” to it instead.

For some additional coincidences, check out a universal favorite: Louie Louie by The Kingsmen (1966). You can hear the similarity in the chord progressions and the back beat.

Though The Kingsmen’s version is probably to most well known thanks to its use in Animal House, the song’s origins stretch back even further. The video below compares 3 different versions of Louie Louie by three different artists with early rock n roll and rhythm and blues flavorings:

  • Richard Berry 1957
  • Rockin Robin Roberts and The Fabulous Wailers 1961
  • Little Bill and the BlueNotes

Who would have thought that the humble Futurama theme would have such a long and illustrious pedigree?

Shaken and Stirred: The James Bond Project

Webomatica posts about his best and worst James Bond songs. It’s a nice list; I threw my picks into the comments, though I left out the iconic James Bond Theme. god bless John Barry for that. We disagree about Man With The Golden Gun, but to each his own.

But, really, I’d like to call some attention to another Bond-related project. Shortly before composer David Arnold took over the scoring responsibilities of the franchise, he produced a covers album featuring the famous intro songs performed by contemporary artists. In fact, this project contributed to his getting the assignment for Tomorrow Never Dies.

The disc was titled, oddly enough: Shaken and Stirred: The David Arnold James Bond Project and honestly, overall it’s not that good.

None of the performers involved (David McAlmont, Pulp, Shara Nelson, Martin Fry, others) manage to improve upon the original versions, which leads to the question, “What the heck was the point?”

Of course, there are a couple worthwhile tracks on the album. Aimee Mann does a pretty decent rendition of Carly Simon’s Nobody Does It Better and UK progressive house outfit Leftfield submits an intriguingly up-tempo remix of Barry’s Space March theme.

But the real surprise on the album comes from none other than Iggy Pop. I can’t quite put my finger on it, but his version of Louis Armstrong’s We Have All The Time In The World is sublime. Give it a listen:

[audio:BondIggyPop.mp3]

Curiously, Bjork also recorded a song for the project (Nancy Sinatra’s You Only Live Twice), but withdrew it shortly before publication. Her version is fairly faithful to the original and basically sounds, well, like Bjork singing You Only Live Twice. It surfaced on the internet a few years ago; you can listen to it below or download an mp3 here.

[audio:BondBjork.mp3]