Lego Trent Reznor

lego trent reznor

I visited Legoland California in Carlsbad a couple weeks ago. It’s an intriguing place, where everyone’s favorite miniature building blocks are put to some amazing uses. One feature of the park is fairy-tale boat ride, where some notable folk tales are brought to life by Lego blocks.

The Sleeping Beauty display warrants particular attention, because Prince Charming here bears a striking resemblance to Nine Inch Nails frontman Trent Reznor.

actual trent reznor

Incidentally, as I write this, I’m listening to NIN’s forthcoming Halo 24: Year Zero, which you can do at yearzero.nin.com. According to Trent, Year Zero is more than an album and the “stunts” are more than mere marketing. The concept is that we, the audience, are participating in Year Zero, helping to reveal and write a dystopian, alternate-reality story in real-time. The album is just part of the mix.

The level of detail and planning that has gone into the whole project is simply astounding. And this music’s not bad either; it’s some of Trent’s more pointed work. You bet I’ll be buying it on the 17th.

You can catch up on background and track the developing story at the Nine Inch Nails wiki. Start with notes on the album itself.

year zero at itunes store, for instant gratification.

year zero at amazon, for the full experience.

The Breeders – The She: This song is meandering funk

aka “rhythm by arithmetic”

title tk

The Breeders disappeared for a very long time, taking nine years to release a follow up to their 1993 breakthrough Last Splash. But when they returned, they did with gusto, submitting a stellar album that proved that Kim Deal could still write some compelling music.

The following is a mellow groove, its steady rhythm demands your attention. It’s unlike anything the band had attempted before and, I gotta say, it works. For your consideration, from Title TK, The She.

[audio:061208TheShe.mp3]


title tk on amazon
the full thing on plastic at amazon

Pearl Jam – Faithful: We all believe, we all believe

Over the years, I’ve come to understand Pearl Jam’s 1998 album Yield as perhaps the group’s finest recording. There’s not a single bad note on its entire length and it is one of but a handful of records in my library with nothing but 4- or 5-star ratings.

At the time of its release, rock music was steadily being displaced in my mind with college-era explorations of the electronic and the experimental. But Yield hung around, receiving occasional plays here and there, slowly but steadily drilling deep into my subconscious, earning its street cred in a way that no other Pearl Jam record has done, until one day I suddenly appreciated its brilliance.

To this day, I have to credit one song, Faithfull for triggering that appreciation. It’s not the group’s catchiest, or its most rocking or even especially popular, but it does have a certain spark of soul and genius that makes it one of my personal favorites from their entire catalog.

[audio:061205Faithfull.mp3]

Pearl Jam: I Got a Feeling [Beatles cover]

Back before all this digital music and internet mumbo jumbo, finding a live recording of a band’s performance was a tricky proposition. There were basically two ways to go about it. One, if you someone who was in a bootlegging circle, you could ask to trade a copy of their recording for a copy of one you had. These were the days before CD burners, so any copy you received was on lesser-quality cassette tape. Or two, you could stumble upon one in the racks at used music stores, finding a quasi-legal, imported recording.

Sometime in 1993, I happened upon a CD, imported from Italy, called I Got a Feeling, via that second method. It’s a high-quality recording of Pearl Jam, live at the legendary (and recently closed) CBGBs in New York City, November 8, 1991 (about 2 months after the release of Ten).

It was a surprise gig that ran about 40 minutes and was attended mostly by fan club members. That explains why the audience on the recording seems to know all the words, despite the fact that Ten wouldn’t enter the Billboard 200 (at #155) for another 2 months.

For comparisons sake, Nirvana’s Nevermind was already at #17 on the chart the week this was recorded.

Still, the show itself is an illustrative overview of that early period of the band’s history. The best part however is the final song of the set: a fantastic cover of The Beatles’ I’ve Got A Feeling with some nice ad-libbing from Eddie.

Download: I Got A Feeling (iTunes m4a file)

Enjoy.

Frances Farmer: The Nirvana song that fell through the cracks

For some reason over the years, Frances Farmer Will Have Her Revenge on Seattle hasn’t gotten the attention it deserves. Here we have one of those songs that no one ever talks about. It sits around being under-appreciated, despite all the hard work it does at being one of Nirvana’s true great masterpieces. For some reason, it’s constantly overshadowed by its bigger brothers. Come on! It is nearly last place (tied with Radio Friendly Unit Shifter) on the Last.fm In Utero chart.

But no longer! Listen now and behold its glory!

[audio:061022FrancesFarmer.mp3]

I wasn’t always a Radiohead fan

Hard to believe, I know, considering that Radiohead recently valted to the top of my last.fm profile and that the band has consistently been in the top 5 in my iTunes library in terms of number of songs, average ratings and total play counts.

But it’s true, I was late to the Radiohead party. For about five years after they band hit with Creep, I was unimpressed. At the time of that song’s release, I didn’t expect to hear much from the band after its popularity died down.

So I was mildly surprised when the group re-emerged with The Bends to favorable buzz. My own opinion hadn’t changed in the intervening years. When Fake Plastic Trees was released as the first single, I renewed my dislike for the band and vowed to continue indignantly ignoring them. I liked that song even less than Creep. That indignation only grew as Radiohead became more popular, as musical popularity tends to be a sign of mediocrity.

You see, I’m pretty open to musical experimentation; I think you’d pretty much have to be to build a library the size of mine. But once I make up my mind, I’m rarely apt to change it. There’s just so much good music, that it’s generally not worth the time to continuously devote the time and effort to re-evaluating things I’ve already passed on. That’s what makes my Radiohead turnaround remarkable; it almost never happens and never to this degree. I’ve been known to soften my criticisms of a band, but I’ve never gone from abject dislike to unchecked adoration like I did with Radiohead.

I credit my transformation with three coinciding factors.

First, it was fall/winter 1997. Radiohead’s popularity had metastasized with the release of OK Computer. The album, of course, had been a runaway success for six months or so, which meant increased exposure to the band’s music. I was intrigued to find that I wasn’t all that offended by Paranoid Android. So my interest was piqued.

At the same time, Dan, a friend and musical compatriot, had been relentlessly imploring me to reconsider my stance.

But what really turned it around for me was the video for Just. I don’t recall exactly where or when I saw it, but that video was so brilliant that it instantly turned me from wary of to excited about Radiohead. It didn’t hurt that the song completely rocks.

I suddenly couldn’t get enough of the band and quickly obtained all their albums plus several singles. I even changed my opinion of Creep (five stars in iTunes), though Fake Plastic Trees still ranks as one of my least favorite songs.

All these years later, I’ve still not seen the band perform live, which I understand is a transcendental experience. To help make up for that though, I’ve collected a fair amount of the band’s music, more than 250 songs and counting in my library, consisting of albums, singles, bootlegs and live recordings. Hopefully one day soon, they’ll swing through my town and I’ll be able to get some tickets…

The video that made me a Radiohead fan:

It’s a continuing mystery what the guys says, but I’m pretty sure it’s "Check it out. Radiohead is playing in that apartment up there."